{"id":4896,"date":"2019-05-08T21:21:26","date_gmt":"2019-05-08T21:21:26","guid":{"rendered":"http:\/\/www.eidr.org\/?p=4896"},"modified":"2019-05-08T21:23:31","modified_gmt":"2019-05-08T21:23:31","slug":"the-engineers-room-of-swords-and-sorcery","status":"publish","type":"post","link":"https:\/\/www.eidr.org\/the-engineers-room-of-swords-and-sorcery\/","title":{"rendered":"The Engineer\u2019s Room: Of Swords and Sorcery"},"content":{"rendered":"

With the release this month of the J.R.R. Tolkien biopic, Tolkien<\/a> (2019) and the final episodes of HBO\u2019s Game of Thrones<\/a> (2011), our thoughts naturally turn in the direction of the fantasy sub-genre, \u201cswords and sorcery.\u201d The term was coined in 1961 by author Fritz Leiber to describe the work of pulp novelist Robert E. Howard and his Kull, Solomon Kane, and Conan stories:<\/p>\n

I feel more certain than ever that this field should be called the sword-and-sorcery story. This accurately describes the points of culture-level and supernatural element and also immediately distinguishes it from the cloak-and-sword (historical adventure) story.[1]<\/a><\/p>\n

While the 1930s and \u201840s were the heyday of the sword and sorcery novelist, with Conan and its many imitators flooding the pulp fiction market, the 1980s were the heyday of the sword and sorcery movie \u2013 starting, appropriately enough, with Conan the Barbarian<\/a> (1982).<\/p>\n

Now, to be precise, Tolkien<\/em> and Game of Thrones<\/em> aren\u2019t swords and sorcery \u2013 they\u2019re high fantasy, another of the fantasy sub-genres. The term was coined by author Lloyd Alexander in 1971 and is characterized by taking place in an alternate world where magic is real, good and evil are clearly drawn, and the characters have epic goals to achieve and obstacles to overcome[2]<\/a> \u2013 often involving the saving of the world or the preservation of the human race. Plus the occasional elf, dwarf, or fairy.<\/p>\n

In contrast, sword and sorcery is often a personal tale or on a local scale \u2013 the stakes are high from the perspective of the participants, but they lack the grand scope of and epic stakes of high fantasy, such as Lord of the Rings<\/a> (1978). Also, the main character tends to be morally ambiguous, rather than clearly good or evil. (Conan is, after all, a thief by trade.)
\nGiven the fact that most book stores and many movie Web sites blend science fiction and fantasy into one large melting pot, we cannot really expect them to tell the difference between sword and sorcery and high fantasy when it comes to selecting favorite films from the fantasy genre, so we\u2019ll forgive Flickchart’s<\/a> rather loose definition.<\/p>\n

Best Sword and Sorcery Films of All Time<\/span><\/h2>\n

Or, at the least, some good fantasy movies featuring magic and a bit of mayhem.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rank<\/strong><\/td>\nTitle<\/strong><\/td>\nEIDR ID<\/strong><\/td>\n<\/tr>\n<\/thead>\n
1<\/td>\nThe Lord of the Rings: The Fellowship of the Ring <\/em>(2001)<\/td>\n10.5240\/E030-107B-C08A-BF93-AC79-B<\/a><\/td>\n<\/tr>\n
2<\/td>\nThe Lord of the Rings: The Return of the King <\/em>(2003)<\/td>\n10.5240\/B07E-E305-8057-CD37-0887-E<\/a><\/td>\n<\/tr>\n
3<\/td>\nThe Lord of the Rings: The Two Towers<\/em> (2002)<\/td>\n10.5240\/598E-D2AE-1B7D-67EB-3F75-6<\/a><\/td>\n<\/tr>\n
4<\/td>\nHighlander<\/em> (1986)<\/td>\n10.5240\/DBA6-1A0B-66B2-ABF7-D345-0<\/a><\/td>\n<\/tr>\n
5<\/td>\nExcalibur<\/em> (1981)<\/td>\n10.5240\/1D3A-E502-98DD-7537-F350-Z<\/a><\/td>\n<\/tr>\n
6<\/td>\nConan the Barbarian<\/em> (1982)<\/td>\n10.5240\/6D8F-6BF8-4318-DF7D-6CC5-V<\/a><\/td>\n<\/tr>\n
7<\/td>\nWillow<\/em> (1988)<\/td>\n10.5240\/5808-5356-6306-612C-125B-Y<\/a><\/td>\n<\/tr>\n
8<\/td>\nThe Sword in the Stone<\/em> (1963)<\/td>\n10.5240\/473E-479D-7DC3-9C2B-06C8-L<\/a><\/td>\n<\/tr>\n
9<\/td>\nThe Hobbit: An Unexpected Journey<\/em> (2012)<\/td>\n10.5240\/074E-596C-285C-7A04-1A01-F<\/a><\/td>\n<\/tr>\n
10<\/td>\nDie Nibelungen: Siegfried<\/em> (1924)<\/td>\n10.5240\/B104-428A-A3D8-662A-55A8-Z<\/a><\/td>\n<\/tr>\n
11<\/td>\nLegend<\/em> (1985)<\/td>\n10.5240\/3C46-EF41-5EB7-66AC-35EF-A<\/a><\/td>\n<\/tr>\n
12<\/td>\nThe Hobbit: The Desolation of Smaug<\/em> (2013)<\/td>\n10.5240\/D481-7435-BA9B-F001-5C0A-N<\/a><\/td>\n<\/tr>\n
13<\/td>\nDragonslayer<\/em> (1981)<\/td>\n10.5240\/15FB-124B-5F9E-465C-F3FD-M<\/a><\/td>\n<\/tr>\n
14<\/td>\nConan the Destroyer<\/em> (1984)<\/td>\n10.5240\/8ACF-0394-7E86-075E-C371-G<\/a><\/td>\n<\/tr>\n
15<\/td>\nThe Lord of the Rings<\/em> (1978)<\/td>\n10.5240\/4A5D-527B-D479-BAAD-C6B3-7<\/a><\/td>\n<\/tr>\n
16<\/td>\nDie Nibelungen: Kriemhild’s Revenge<\/em> (1924)<\/td>\n10.5240\/D3E6-66C4-E14D-DA79-C01F-J<\/a><\/td>\n<\/tr>\n
17<\/td>\nThe Beastmaster (1982)<\/td>\n10.5240\/E793-BEF5-DAC9-7B39-C96A-D<\/a><\/td>\n<\/tr>\n
18<\/td>\nKrull (1983)<\/td>\n10.5240\/D902-915D-87EF-0A26-3DFF-J<\/a><\/td>\n<\/tr>\n
19<\/td>\nThe Black Cauldron<\/em> (1985)<\/td>\n10.5240\/A903-A9EC-2A20-0191-2E86-A<\/a><\/td>\n<\/tr>\n
20<\/td>\nThe Hobbit: The Battle of the Five Armies<\/em> (2014)<\/td>\n10.5240\/9B11-B26E-7EC5-1306-66F9-U<\/a><\/td>\n<\/tr>\n
21<\/td>\nThe Golden Voyage of Sinbad<\/em> (1973)<\/td>\n10.5240\/F685-6CC3-B644-962D-142C-T<\/a><\/td>\n<\/tr>\n
22<\/td>\nDragonheart<\/em> (1996)<\/td>\n10.5240\/8198-94DC-D89D-4703-CC22-Y<\/a><\/td>\n<\/tr>\n
23<\/td>\nThe Hobbit<\/em> (1977)<\/td>\n10.5240\/62E8-8D7A-856B-0DF4-C2EA-J<\/a><\/td>\n<\/tr>\n
24<\/td>\nFire and Ice<\/em> (1983)<\/td>\n10.5240\/2CA4-64F8-B6DF-962D-5A32-D<\/a><\/td>\n<\/tr>\n
25<\/td>\nSinbad and the Eye of the Tiger<\/em> (1977)<\/td>\n10.5240\/8715-3AFF-5F75-5935-BD8F-X<\/a><\/td>\n<\/tr>\n
26<\/td>\nRed Sonja<\/em> (1985)<\/td>\n10.5240\/6936-025B-6391-21CA-5EFE-6<\/a><\/td>\n<\/tr>\n
27<\/td>\nMasters of the Universe<\/em> (1987)<\/td>\n10.5240\/6A02-B4F5-6E25-5D32-F8F5-X<\/a><\/td>\n<\/tr>\n
28<\/td>\nThe Sword and the Sorcerer<\/em> (1982)<\/td>\n10.5240\/3294-77FE-BF96-E238-BCE4-M<\/a><\/td>\n<\/tr>\n
29<\/td>\nFuturama: Bender’s Game<\/em> (2008)<\/td>\n10.5240\/AA1D-05AA-5DB8-2721-6311-5<\/a><\/td>\n<\/tr>\n
30<\/td>\nThe Flight of Dragons<\/em> (1982)<\/td>\n10.5240\/65F7-4592-84D6-5615-85AF-A<\/a><\/td>\n<\/tr>\n
31<\/td>\nHighlander II: The Quickening<\/em> (1991)<\/td>\n10.5240\/9CE4-7576-D9E2-FB74-DBB3-K<\/a><\/td>\n<\/tr>\n
32<\/td>\nMerlin<\/em> (1998)<\/td>\n10.5240\/4658-EE1E-4C96-47A3-219A-X<\/a><\/td>\n<\/tr>\n
33<\/td>\nBeowulf<\/em> (2007)<\/td>\n10.5240\/449B-F8BE-6EA5-69E5-D84F-P<\/a><\/td>\n<\/tr>\n
34<\/td>\nHighlander: The Final Dimension<\/em> (1994)<\/td>\n10.5240\/04C2-3221-066D-1095-A11D-K<\/a><\/td>\n<\/tr>\n
35<\/td>\nThe Return of the King<\/em> (1980)<\/td>\n10.5240\/BFEE-4E5D-B0B6-F883-69C9-G<\/a><\/td>\n<\/tr>\n
36<\/td>\nYour Highness<\/em> (2011)<\/td>\n10.5240\/7ABC-7761-5ED6-909F-B63D-7<\/a><\/td>\n<\/tr>\n
37<\/td>\nSolomon Kane<\/em> (2009)<\/td>\n10.5240\/B966-1320-A7AA-CB58-9BAD-U<\/a><\/td>\n<\/tr>\n
38<\/td>\nWarcraft<\/em> (2016)<\/td>\n10.5240\/3CBE-932C-ADE9-338D-628A-3<\/a><\/td>\n<\/tr>\n
39<\/td>\nMaciste all’inferno<\/em> (1925)<\/td>\n10.5240\/0DC4-7FD7-7AC2-2E7D-0E61-Q<\/a><\/td>\n<\/tr>\n
40<\/td>\nThe Deathstalker<\/em> (1983)<\/td>\n10.5240\/6535-1420-F506-5F3D-0458-9<\/a><\/td>\n<\/tr>\n
41<\/td>\nKull the Conqueror<\/em> (1997)<\/td>\n10.5240\/FB93-7645-6865-D9B3-D93C-4<\/a><\/td>\n<\/tr>\n
42<\/td>\nThe Barbarians<\/em> (1987)<\/td>\n10.5240\/D14C-89E7-047F-EB94-CB9E-7<\/a><\/td>\n<\/tr>\n
43<\/td>\nThe Bride with White Hair<\/em> (1993)<\/td>\n10.5240\/E072-0FA9-CDF2-15BA-27A2-C<\/a><\/td>\n<\/tr>\n
44<\/td>\nThe Secret of the Sword<\/em> (1985)<\/td>\n10.5240\/3F90-8E14-7F26-9120-D00B-W<\/a><\/td>\n<\/tr>\n
45<\/td>\nThe Warrior and the Sorceress<\/em> (1984)<\/td>\n10.5240\/581E-AFDC-DFDD-936E-899B-V<\/a><\/td>\n<\/tr>\n
46<\/td>\nConquest<\/em> (1983)<\/td>\n10.5240\/18A7-4100-2581-6C30-032E-8<\/a><\/td>\n<\/tr>\n
47<\/td>\nConan the Barbarian<\/em> (2011)<\/td>\n10.5240\/94F8-0041-1BC7-9B76-8ABB-T<\/a><\/td>\n<\/tr>\n
48<\/td>\nKing Arthur: Legend of the Sword<\/em> (2017)<\/td>\n10.5240\/797E-152C-4776-EE9D-1433-2<\/a><\/td>\n<\/tr>\n
49<\/td>\nYor, the Hunter from the Future<\/em> (1983)<\/td>\n10.5240\/7823-BBCF-0698-2004-8840-5<\/a><\/td>\n<\/tr>\n
50<\/td>\nSword of the Valiant: The Legend of Sir Gawain and the Green Knight<\/em> (1984)<\/td>\n10.5240\/E10A-7472-3EAC-75A7-50AE-9<\/a><\/td>\n<\/tr>\n
51<\/td>\nDungeons & Dragons<\/em> (2000)<\/td>\n10.5240\/FC9E-16F1-7FA3-59A6-DEAC-Z<\/a><\/td>\n<\/tr>\n
52<\/td>\nBerserk: The Golden Age Arc – The Egg of the King<\/em> (2012)<\/td>\n10.5240\/0B5F-F793-6C46-C0C5-9EEC-N<\/a><\/td>\n<\/tr>\n
53<\/td>\nOtrantsk\u00fd z\u00e1mek<\/em> (1977)<\/td>\n10.5240\/72C3-CFBE-D031-C5BD-EEB0-8<\/a><\/td>\n<\/tr>\n
54<\/td>\nDeathstalker II<\/em> (1987)<\/td>\n10.5240\/A83E-276E-F4B3-3CFD-2279-U<\/a><\/td>\n<\/tr>\n
55<\/td>\nSorceress<\/em> (1982)<\/td>\n10.5240\/5055-1E45-4430-D854-9357-W<\/a><\/td>\n<\/tr>\n
56<\/td>\nLe chevalier des neiges<\/em> (1912)<\/td>\n10.5240\/3E5B-FBF9-202B-3629-B137-9<\/a><\/td>\n<\/tr>\n
57<\/td>\nBeastmaster 2: Through the Portal of Time<\/em> (1991)<\/td>\n10.5240\/7BEF-E792-2E44-A960-3761-R<\/a><\/td>\n<\/tr>\n
58<\/td>\nThe Iron Crown<\/em> (1941)<\/td>\n10.5240\/9F1E-292B-0184-0DC1-B9EB-W<\/a><\/td>\n<\/tr>\n
59<\/td>\nRuslan and Ludmila<\/em> (1972)<\/td>\n10.5240\/C9F2-A7DC-9903-68BF-8C96-N<\/a><\/td>\n<\/tr>\n
60<\/td>\nDie Nibelungen 2: Kriemhilds Rache<\/em> (1967)<\/td>\n10.5240\/0C8D-CA45-9ED6-B1E6-291B-6 <\/a><\/td>\n<\/tr>\n
61<\/td>\nHercules in the Underworld<\/em> (1994)<\/td>\n10.5240\/078F-7578-74B2-70A8-B4D1-O<\/a><\/td>\n<\/tr>\n
62<\/td>\nEragon<\/em> (2006)<\/td>\n10.5240\/D9FE-E784-179D-3E66-E0D7-N<\/a><\/td>\n<\/tr>\n
63<\/td>\nBlack Angel<\/em> (1980)<\/td>\n10.5240\/639C-D30E-9826-E98F-0CDB-Q<\/a><\/td>\n<\/tr>\n
64<\/td>\nTaro the Dragon Boy<\/em> (1979)<\/td>\n10.5240\/4A24-2A9B-B0EB-53B5-1445-X<\/a><\/td>\n<\/tr>\n
65<\/td>\nThe Sword and the Dragon<\/em> (1956)<\/td>\n10.5240\/7FCA-8E40-A459-17B9-8FD3-1<\/a><\/td>\n<\/tr>\n
66<\/td>\nHercules and the Amazon Women<\/em> (1994)<\/td>\n10.5240\/0DAC-2C55-82F5-FED9-F6AD-J<\/a><\/td>\n<\/tr>\n
67<\/td>\nThe Magic Sword<\/em> (1962)<\/td>\n10.5240\/876D-331C-2F04-30C6-055C-1<\/a><\/td>\n<\/tr>\n
68<\/td>\nDeathstalker IV<\/em> (1991)<\/td>\n10.5240\/D69D-CD50-F2B2-7C93-11BF-K <\/a><\/td>\n<\/tr>\n
69<\/td>\nThe Huntsman: Winter’s War<\/em> (2016)<\/td>\n10.5240\/08F9-5D80-D124-4F79-DA96-W<\/a><\/td>\n<\/tr>\n
70<\/td>\nThe Killing of Satan<\/em> (1983)<\/td>\n10.5240\/D1B2-27BE-D6F4-5ADF-7B24-S<\/a><\/td>\n<\/tr>\n
71<\/td>\nLionheart<\/em> (1987)<\/td>\n10.5240\/5214-6315-CC05-A49F-01CB-9<\/a><\/td>\n<\/tr>\n
72<\/td>\nHundra<\/em> (1983)<\/td>\n10.5240\/24E3-64DC-FA30-73D5-D85D-0<\/a><\/td>\n<\/tr>\n
73<\/td>\nPerseus Against the Monsters<\/em> (1963)<\/td>\n10.5240\/9A1B-AA62-018D-7E86-2F78-P<\/a><\/td>\n<\/tr>\n
74<\/td>\nThe Devil’s Sword<\/em> (1984)<\/td>\n10.5240\/5609-1D00-2489-2721-EEFD-R <\/a><\/td>\n<\/tr>\n
75<\/td>\nThe Great Wall<\/em> (2016)<\/td>\n10.5240\/3259-086E-ADDF-5B68-B518-A<\/a><\/td>\n<\/tr>\n
76<\/td>\nBeruseruku: Ougon jidai-hen II – dorudorei koryaku <\/em>(2012)<\/td>\n10.5240\/20A0-3F9D-6D76-5B89-2FAA-F<\/a><\/td>\n<\/tr>\n
77<\/td>\nIn the Name of the King: A Dungeon Siege Tale <\/em>(2007)<\/td>\n10.5240\/2E88-919E-AFE5-2702-9F65-Z<\/a><\/td>\n<\/tr>\n
78<\/td>\nBeastmaster III: The Eye of Braxus<\/em> (1996)<\/td>\n10.5240\/1D68-94CC-F5D9-71EC-D214-M<\/a><\/td>\n<\/tr>\n
79<\/td>\nThe Sword of the Barbarians<\/em> (1982)<\/td>\n10.5240\/C1BB-59B6-8490-536A-3E3F-W<\/a><\/td>\n<\/tr>\n
80<\/td>\nDoctor Mordrid<\/em> (1992)<\/td>\n10.5240\/88BB-E8E9-E0CA-28FA-CF36-P<\/a><\/td>\n<\/tr>\n
81<\/td>\nWizards of the Demon Sword<\/em> (1991)<\/td>\n10.5240\/CFB9-9062-7050-17D8-9E24-E<\/a><\/td>\n<\/tr>\n
82<\/td>\nAmazons<\/em> (1986)<\/td>\n10.5240\/5634-9030-0C1F-A17B-D5B3-L<\/a><\/td>\n<\/tr>\n
83<\/td>\nGor<\/em> (1987)<\/td>\n10.5240\/F1AE-AC1D-6658-5839-87C6-B<\/a><\/td>\n<\/tr>\n
84<\/td>\nMerlin and the Sword<\/em> (1985)<\/td>\n10.5240\/9A50-1894-63D8-0BCD-30A5-S<\/a><\/td>\n<\/tr>\n
85<\/td>\nGunan il guerriero<\/em>\u00a0 (1982)<\/td>\n10.5240\/AA33-DBD5-04F6-47F7-D747-W<\/a><\/td>\n<\/tr>\n
86<\/td>\nThe Blade Master<\/em> (1984)<\/td>\n10.5240\/2986-D468-99AE-EAA8-3400-B<\/a><\/td>\n<\/tr>\n
87<\/td>\nBarbarian Queen II: The Empress Strikes Back <\/em>(1990)<\/td>\n10.5240\/75FC-B627-EBF9-E186-9188-T<\/a><\/td>\n<\/tr>\n
88<\/td>\nThor the Conqueror<\/em> (1983)<\/td>\n10.5240\/738D-6CFF-8476-24E1-9430-1<\/a><\/td>\n<\/tr>\n
89<\/td>\nBerserk: The Golden Age Arc 3 – Descent<\/em> (2013)<\/td>\n10.5240\/7AFC-5580-3B16-73FB-BA60-U<\/a><\/td>\n<\/tr>\n
90<\/td>\nLilovyy shar<\/em> (1987)<\/td>\n10.5240\/7D71-4BA8-F921-9C7E-9AFB-C<\/a><\/td>\n<\/tr>\n
91<\/td>\nGor II<\/em> (1988)<\/td>\n10.5240\/1132-E600-56FB-CD4B-8B8C-7<\/a><\/td>\n<\/tr>\n
92<\/td>\nAtor, the Iron Warrior<\/em> (1987)<\/td>\n10.5240\/0E9F-7A98-680A-6E46-DB7A-S<\/a><\/td>\n<\/tr>\n
93<\/td>\nQuest for the Mighty Sword<\/em> (1990)<\/td>\n10.5240\/C8C1-9EAB-99F4-50DF-E0A9-T<\/a><\/td>\n<\/tr>\n
94<\/td>\nDragonheart: A New Beginning<\/em> (2000)<\/td>\n10.5240\/3226-7AEB-B55B-03E9-2294-A<\/a><\/td>\n<\/tr>\n
95<\/td>\nThe Dungeonmaster<\/em> (1984)<\/td>\n10.5240\/8AC8-6A31-5060-D4AC-51C8-2<\/a><\/td>\n<\/tr>\n
96<\/td>\nAtor, the Fighting Eagle<\/em> (1982)<\/td>\n10.5240\/CD7B-3F16-6465-EBFF-49CD-9<\/a><\/td>\n<\/tr>\n
97<\/td>\nMerlin: The Return<\/em> (2000)<\/td>\n10.5240\/4C60-3A27-0335-0F04-5190-S<\/a><\/td>\n<\/tr>\n
98<\/td>\nO princezn\u011b Jasn\u011bnce a l\u00e9taj\u00edc\u00edm \u0161evci<\/em> (1987)<\/td>\n10.5240\/D2AE-805D-5CF6-8FD7-5F19-6<\/a><\/td>\n<\/tr>\n
99<\/td>\nArthur’s Quest<\/em> (1999)<\/td>\n10.5240\/5854-8F6F-7710-6C61-40C1-0<\/a><\/td>\n<\/tr>\n
100<\/td>\nDragon Half<\/em> (1993)<\/td>\n10.5240\/14D5-7221-68DE-DF35-D763-A<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

[1]<\/a>Not to be confused with \u201csword and sandals,\u201d AKA the gladiator movie or the low-budget biblical epic, largely of Italian origin from the late-1950s through the mid-1960s.
\n[2]<\/a>Which is why high fantasy is also known as \u201cepic fantasy.\u201d For its part, \u201clow fantasy\u201d takes place in the real world (or something very like it) with the addition of soup\u00e7on of magic.<\/p>\n","protected":false},"excerpt":{"rendered":"

With the release this month of the J.R.R. Tolkien biopic, Tolkien (2019) and the final episodes of HBO\u2019s Game of Thrones (2011), our thoughts naturally turn in the direction of … Continue reading The Engineer\u2019s Room: Of Swords and Sorcery<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":32,"featured_media":4900,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[5],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/posts\/4896"}],"collection":[{"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/comments?post=4896"}],"version-history":[{"count":0,"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/posts\/4896\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/media\/4900"}],"wp:attachment":[{"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/media?parent=4896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/categories?post=4896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eidr.org\/wp-json\/wp\/v2\/tags?post=4896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}